|
|
Some scanners use
"oversampling" to improve the quality of the image.
This seems to violate the laws of information theory, but can
actually improve the image when done right. |
![]() Ideal Image Density |
|
In a real image there is some bleeding
of the image from one sensor to the next so the contrast will not
be 100% or 0. |
![]() Real Image Density |
|
We now oversample or overscan by
inserting a value half way between each "real" sample.
The density is the average of the two adjacent real samples. So
in the ideal image we get steps at about 50% density between the
100% and the 0 steps. In a scanner this is usually done by
advancing the stage at 1/2 the pitch of the
sensors. |
|
|
Here is the real image under the same
conditions. With our simplified example the intermediate steps
are also at 50%. If this was the final result delivered by the
scanner the image would not only be lower in contrast, but would
appear fuzzier than if the oversampling had not been used.
Instead the scanner software must process the image before it is
done. Here is an example of how. |
|
|
The scanner "knows" that it has inserted an artificial value between the real ones and can use that value to modify the real values on either side. For each pixel we take the values on either side and average them we then subtract the value from the intermediate value if has 50% density or below or add if it is above 50%. So for the ideal image: We then remove the artificial steps
giving real steps of 0 and 100%. Note we can't have more that
100% or less than 0 density. |
100%+0%/2
=50% subtracted from 50% = 0.
50%+50%/2 = 25% subtracted from 0 = 0.
(real step) 0%+100%/2 = 50% subtracted from 50% =
0. 50%+50%/2 = 25% add to 100% = 100%.
(real step) |
|
One For the real image the steps are
the same, but the values being used are 90% and 10%. |
90%+10%/2 = 50% subtracted from 50% = 0. 50%+50%/2 = 25% subtracted
from 10% = 0.(real step) 10%+90%/2 = 50% subtracted
from 50% = 0. 50%+50%/2 = 25% added to
90% = 100%. (real step)
|
|
Sponsored Advertisement | |
© 2002 Robert D Feinman